Prior to January 4, I had never heard of Sufjan Stevens (actual pronunciation unknown). That evening,Kella mentioned that he had written her theme song. I often appreciate Kella's musical tastes, but I wasn't in a hunting mood and so that was the end of Sufjan and me. Except that a week or so later his album Come on Fell the Illinoise! was delivered to me via Clare-mail.
She said, "Here. Listen to this and get excited."
I said, "Ok. Why?"
"Because they're giving away free tickets on Saturday, January 27 and I need you to go pick them up."
"Oh. Ok." I'm enthusiastic like that.
I listened to Mr. Stevens many times. He does whip out the banjo on numerous tracks which I like. Plus his music is layered and kind of beautiful, but I couldn't find anything that truly hooked me. I kept listening and some of the tunes stuck in my brain for a little while, but I wasn't really excited and I kind of forgot about what day I was supposed to go pick up tickets.
Then, Wednesday night I was out with a friend and we were talking about various hobbies. He said he liked music and that he and his roommate were headed out early Saturday morning to get tickets for, and he said this hesitantly, "Sufjan?" I howled, "Stevens!" as if other Sufjans were giving away tickets on that same Saturday. After some discussion I found out that Sufjan's project is to have an album for all of the 50 states. This strikes me as awesome in a number of ways.
1. I thought Come on Feel the Illinoise! was oddly obsessed with all things Illinois. This helps clear that up.
2. I'm impressed by the sheer magnitude of such a creative undertaking.
3. Since it seems he's started with the places he knows, Michigan and Illinois, I imagine he is going to have to travel to really try to capture other states in an album. Combining travel, creativity, and music is just exponentially cooler than each of those things individually.
My friend is headed out to line up and wait for tickets at 5:30 in the morning. He convinces me that I need not wake up so early. He'll call me and let me know of my chances at 7 AM. This sounds like a good plan to me. He calls and says he thinks if I join them, my chances are pretty good. They are about 600th in line and there should be around 2,400 tickets. I eat breakfast and scurry off. I have on about 5 layers of clothing, plus all the paraphernalia I need to play Ultimate in the afternoon. I arrive at about 8 AM to something like this-

(not my photo)
Faithful readers recall that I still have resisted the temptations of the mobile phone. I now have to find my friends in this line that wiggles all around a courtyard. I look for a while and mostly give up. I head for the back of the line. The sky is pale blue and the air is crisp. The sun is shining and I'm surrounded by I'd say at least 1,000 Sufjan fans. The line isn't moving, except to continue to grow longer. The doors don't open for another hour. Friendly conversations abound. Discussions of our chances are the frequent topic along with laments of our lack of commitment to not have joined the campers who set up shop and spent the night. We consider various line-cutting methods and also express our appreciation for the overall neatness of this crowd. We begin to accept our fate as ticketless, but cling to enough hope that we don't leave the line. One of my fellow late-line joiners allows me use of his phone. I call and get no answer. I decide that if I hold up my disc, perhaps my friends will see it and come get me. I hold it up, occasionally waving it around until my arms tire. It's dubbed my bat signal, but it seems to have failed.
Tents are quickly put away and the long line begins to move. One exuberant usher takes the place of metal poles and velvet ropes by excitedly keeping the line tight, trying to wake us up and to keep us moving in the right direction. He does his job well, though the rumblings at the beginning of the line take nearly 10 minutes to reach us in the back. I make another failed phone call and spend much longer with my disc waving in the air. I look like a Disc Hall of Fame tour guide without any tourists. I get quizzical looks and then finally someone in another wiggle of the line asks, "What's with the Frisbee?"
I explain the missing friends and the bat signal and he says, "Oh." I take that to mean that there is some sense in my actions. This provides much less relief than I would have hoped. My phone-loaner decides that he's had enough and wishes us well. He sees no hope here.
The line moves on. We've moved through the first set of wiggles and into the second set. Someone starts handing out blue slips of paper. One of my line buddies, says "It probably says 'There's no chance in hell you'll get tickets.'" We receive our blue slips and realize that the Kennedy Center doesn't use the word hell, but instead uses words like sufficient. As in "a sufficient number of people are ahead of you..." My line buddy loudly announces, "It does say 'there's no chance in hell!'" Someone else exclaims, "It's like a pink slip, in blue." We all stand quietly contemplating. Still, no one moves to leave. I bail before the others around me. I've really lacked commitment in this whole process.
I'm wandering past the corner of the Kennedy Center trying to figure out what I'm going to do with my day, when some guy out of line hollers to those in line, "What time did you get here?" The guy in line answers, "about 5." Grunts from out of the line again reinforce the lack of commitment that I feel. I admire those with such commitment and realize that my friends who arrived at 5:30 are probably not too far behind. I decide I'll wait at the corner where the line snakes into the home stretch and try to find them. I don't wait long and I sidle up and exchange hellos.
As we entered the home stretch, I don't know whether the burning eyes from those behind us were in my imagination or not, but I began to feel warmer and not in a good way. As all these new found friends chatted along, I grew silent as we got ever closer to the doors. If I got tickets and the person behind me did not, I would have to give them away. I wondered if I should even be in the line at all. I started to think that I should leave the line. I wondered how many tickets after mine they would have to give away before I would feel ok about cutting. I tried to convince myself that this moment was one of those advantages that fell under the heading "knowing the right people." Still, I did not feel good. A loud voice rang out possibly shouting "No more tickets." The line rumbled and then rumbled again as "false alarm" was announced. We kept moving and my guilt kept growing. I hadn't said a word or looked at anyone in several minutes. How would I feel if someone had cut this late in the game? Would it have been different if I had found my friends at 8 AM when the line still wasn't moving? Maybe, but I hadn't. Was this how I wanted to live my life? Was this who I wanted to be? The line seemed to be inching along now. I think people could almost taste the tickets, although I'm sure they tasted like any common cardboard. My inner debate raged on and then the real announcement came. "No more tickets. We gave away the last tickets." This was repeated by several ushers with varying degrees of harshness and understanding.
I felt for those around me, but I breathed a sigh of relief. The crowd, quite disappointed, dissapated. At least partly.
Perhaps line forming is addictive, because we went inside and joined a few other Sufjan rejects along with a completely different demographic to wait another hour for Alvin Ailey tickets. This would be our lovely parting gift.

